1. Where Are We Now?
Now we move from classroom assessment to whole-school coherence.
Quick discussion
If a student moves from one grade to the next, can the next teacher clearly see what that student already knows, understands and can do?
2. Student Ownership of Assessment
Feedback, reflection, goal-setting, conferencing, peer/self-assessment?
Where are students still dependent on the teacher?
What should ownership look like in K–1, 2–3 and 4–5?
Student Assessment Compass — Concept Summary
This visual summary is based on Trevor MacKenzie's four assessment directions. Use the link below to view his original sketchnote.
Can I judge my learning realistically?
Do I understand the expectations?
Does the learning feel meaningful?
Does this evidence represent my real learning?
3. Alignment Discussion Groups
Work with your assigned team. Read the scenario, make a decision, then reveal the PYP-aligned thinking.
K–1
Grade 1 teachers collect observations, photographs and student conversations. A Grade 2 teacher says, “We need more worksheets so we have proper evidence before they reach us.”
Grades 2–3
Grade 2 and Grade 3 both assess persuasive writing, but their rubrics were created independently. Grade 2's highest expectation looks almost identical to Grade 3's expected standard.
Grades 4–5
Grade 4 assesses research skills through a UOI. Grade 5 teaches the same research skills from the beginning because teachers do not know what evidence was gathered in Grade 4.
Mandarin & Malay
A Grade 3 UOI explores communication. Language classes are also assessing oral communication, but the tasks and criteria are completely separate.
PSPE
Students complete a standalone swimming or sports-skills assessment focused on technical performance. The teacher also notices how students communicate, support one another and collaborate during partner and team activities. Should collaboration be included?
Drama
Students create and perform a short dramatic scene connected to a UOI concept. The assessment mainly rewards costumes, confidence and entertainment value.
Music
Students perform a piece connected to a transdisciplinary inquiry. Some students produce a polished performance because they already have private music training, while others show significant growth in rhythm, listening and ensemble skills.
What should a student be able to do when they ENTER your grade or subject stage, and what should they be able to do when they LEAVE?
4. Grit, Perseverance and Effort
Watch Angela Duckworth's short talk on grit. You can also take her official validated Grit Scale using the link below.
Watch: GritTake the Official Grit ScaleGrit Reflection Check-In
Rate yourself from 1–5, where 1 means “rarely true for me” and 5 means “very often true for me”.
Discuss the result, not the number
Would you be comfortable if this score — or your official Grit Scale score — was used to determine your professional effort rating?
Student A
A student regularly persists when learning is difficult, asks for feedback, revises work and keeps working towards goals. They are quiet and rarely volunteer in whole-class discussion.
Student B
A highly capable student completes work quickly and consistently meets expectations. They rarely revise, avoid challenge and usually choose the easiest option.
5. Team Assessment Map
| Entering | Current | Leaving | |
|---|---|---|---|
| Knowledge | What should already be evident? | What are we teaching? | What should be evident next? |
| Conceptual understanding | |||
| Skills / ATL | |||
| Assessment evidence | |||
| Student ownership |
If the next teacher looked at our assessment evidence, could they clearly understand what this student knows, understands, can do and needs to work on next?
6. Module 5 Takeaway
It is about making progression, evidence and expectations visible enough that learning connects meaningfully across the programme.